|The stage ahead of the performance of La Boheme|
As with each of these Operas on the Harbour the emphasis is on spectacle rather than a traditional production of the works.
In this case the setting is updated to the 1960s culminating in 1968 following the Paris student riots. This re-setting worked reasonably well to my mind.
Apart from the primary aim to make a profit and I imagine that Opera Australia hopes these annual productions bring a new audience to Opera and apparently surveys indicate that the audiences by the harbour include significant numbers of first timers. I wonder whether they become repeat attendees and, more importantly, start to attend productions during the Opera season? In the Andrew's and R's case I believe they enjoyed the spectacle - albeit in some discomfort on the hard plastic seats - as one-off event but are not won over to becoming regular attendees.
|The company taking its bows at the conclusion of La Boheme.|