We can enjoy splendid weather in Sydney but each year we can be guaranteed one or two wet spells that run for days. When that happens you wonder wether the sun will ever shine again. We're in one of those wet spells at the moment. Four days of rain so far with occasional very brief sunny moments and more rain forecast for the next four or so.
(One Eyed Productions in association with Neglected Musicals and Hayes Theatre Company)
In the mining town of Deadwood City the tomboyish 'Calamity Jane' promises to persuade a famous star to travel from Chicago to perform for the miners at the local saloon. What ensues is a calamity of mistaken identities (deliberate and accidental) leading to the inevitable happy ending for three couples.
This musical derives from the 1953 Warner Brothers film of the same name which starred Doris Day as Calamity Jane and Howard Keel as her nemesis Wild Bill Hickok.
This Hayes Theatre presentation is brilliantly directed and performed. Cleverly involving the audience effectively as saloon patrons the musical is staged with great verve, humour and surprising freshness. A terrific example of how to bring new life to an old clunker.
In Angus Cerini's 'The Bleeding Tree' a mother and her daughters have just killed the violent abusive patriarch of the family. The location is remote and isolated and what community they have as neighbours is small and knowing.
The impact of the murder on the three women and on their neighbours is poetically narrated by the cast of three. Beautifully performed and, despite some gruesome subject matter, humorous at times.
I'm going to be out of step with many people on this one. Despite what some close friends have described as my eccentrically eclectic taste in movies I haven't seen any of the previous Wolverine films.
Faced with the option of seeing 'Logan' or 'Kong: Skull Island' - having already seen all the other screenings at our favourite multiplex - we elected to see the former. 'Logan' had received the better reviews.
Perhaps the third option - see neither - would have been the best choice.
Logan (Hugh Jackman) is ageing and in declining health. He encounters a young 'she-wolverine'(?) and takes her into his care as he battles to reunite her with fellow 'junior wolverines'(?). Well, that is sort of the plot anyway. Technically it is all skilfully portrayed. Too skilful for my liking. The slick editing and sound design had me averting my eyes from the frequent decapitations and body guttering fights.
It was at least an hour too long for me. I don't know which hour, take your pick.
My relief at the film's eventual conclusion was tempered by the banality and complete irrelevance of the lyrics of the song performed over the end titles.
A thrill for the devotees apparently but count me out.
Based on actual events, 'Mark Colvin's Kidney' tells what happens when Intellectual Property Manager Mary-Ellen Field is an unwitting victim of the News of the World phone hacking affair in Britain. Interviewed about her experience by Australian journalist Mark Colvin, Mrs Field subsequently engages in pen pal friendship with an ailing Mr Colvin leading eventually to her surprising decision to become his kidney donor.
The play relies in part on actual interview and social media transcripts and recordings. Surprisingly humorous and uplifting at times, the play also records a scandalous aspect of media practice.
A couple in Berlin receive news that their son has been killed in action. Grieving over their loss and angered by the lies they believe that the Nazi regime is inflicting on an unaware nation they take action in their own small way to combat the regime's propaganda by anonymously placing postcards with critical commentary in public places. A policeman is tasked with tracking down the perpetrators.
'Alone in Berlin' is a fictional work although it memorialises a German couple who was executed by the Nazi regime for activity portrayed in the film. Whilst the bulk of the cast, apart from the two leads is either German or European in origin, the dialogue is almost entirely in English.
The opening scene of 'Chimerica' is set in Beijing in June 1989. An American photographer is observing events from his hotel room when he sees a man, shopping bags in hand, standing in the way of Army tanks proceeding to Tiananmen Square in response to demonstrations which have been embarrassing to the Chinese regime. Photographs of this actual event by an unknown, brave man made headlines around the world the time.
From this opening scene, 'Chimerica' time hops back and forwards between 1989 and 2012 when in the United States President Obama is standing for re-election. In this later time frame the photographer is attempting to determine what happened to that lone demonstrator and to track him down.
A cast of twelve actors, most playing multiple characters, combine with an ensemble of twenty theatre students from NIDA to deliver a memorable night of theatre. The staging, at once both simple and yet complex in its choreography, provides brilliant visual impact.
'The Homosexuals, or Faggots' opens with a gay couple, stereotypically effeminate in body language and behaviour, speaking to unseen guests at their dinner party about a dining experience that traumatised them. The trauma arose from a menu item, 'faggots', which generates a play on words. The couple, obviously unaware of the traditional British meal of 'faggots' (a ball or roll of seasoned chopped liver, baked or fried), are furious at being confronted by what they only know to be a derogatory term for homosexuals.
The play then opens up to issues of identity and tolerance. There are mistaken identities galore and gender identities are brought to the fore. The latter half of the play is performed as a farce with characters slamming doors, hiding in cavities and generally racing around at breakneck speed. Genevieve Lemon seems to have the best lines or at least makes the best of her lines and she makes the best impression. The others try hard and have their moments.
'The Play That Goes Wrong' makes fun of itself even before you enter the auditorium. The advertising poster (above) states 'Save Money (Don't Come)' and the cast list in the foyer announces that Tom Cruise will not be appearing at this performance.
The play is a supposed amateur production of The Murder at Haversham Hall. All manner of mayhem ensues as cast and technical support make a hash of every moment until eventually the set literally falls apart.
It is pure slapstick. A little twee at times. The work might be a little predictable and the occasional lull might suggest they have run out of steam but the play is mostly a funny experience from start to finish.
Jessica Chastain plays 'Miss Sloane', a lobbyist seeking to influence United States' Senators to support a bill to strengthen gun ownership laws. Unsurprisingly she faces strong opposition from supporters of the National Rifle Association (although I'm not certain that the NRA is ever referred to by name in the film).
Miss Sloane is ruthless in pursuit of her objectives playing off both supporters and opponents to achieve an advantage.
A thoroughly absorbing political thriller with a stand out performance from Chastain.
The much loved and studied Australian play 'Away' is in revival in a co-production between the Sydney Theatre Company and Melbourne's Malthouse Theatre. It tells the story of two families and a third couple who enjoy Christmas time beach holidays in the 1960/70s. Each group is trying to make the best of the holidays against a background of personal tragedy.
First performed in 1986, the play has had a permanent place in school curricula pretty well ever since. I have to admit I had never seen it and given that my schooling ended more than twenty years before its premiere it certainly never figured in my mostly Shakespeare based education.
This production is very entertaining. The staging is striking in its simplicity.